I was contacted recently by VoyageKC Magazine to give an interview in their Rising Stars series. VoyageKC’s focus is to shine a spotlight on Kansas City’s local artists, small business owners and entrepreneurs and I feel very fortunate to be included.
The interview includes my background as an artist, the challenges I’ve faced and the things that matter the most to me. It also showcases some of my portrait work. So if you would like to know more about my story, feel free to check out the link below. And if you are here to learn a little more about how I do
Realistic portrait painting has always been my favorite thing to do. However, getting a likeness can be a huge challenge due to simple mistakes. I’ll share with you a couple of the mistakes I made painting this portrait. I will also go over other common mistakes and helpful tips. This will help you to avoid some of the pain of painting portraits.
I’ve drawn and painted portraits of people and pets for as long as I can remember. Fortunately, I’ve been able to capture a likeness with most of my subjects.
The only time I have trouble with a likeness is when I make some basic mistakes. With this realistic portrait of Dr. Claude Pressnell, I started out the painting with an inaccurate drawing. That was my first mistake. I also had
Painting wrinkles and grey hair have their own unique challenges. I’ve loved drawing and painting wrinkles ever since I was a kid. The more wrinkles, the better as far as I was concerned. Wrinkles add a lot of interest and character to a portrait.
In my portrait painting tips article, I gave a basic 3 step process for painting wrinkles. In this article, I’ll go over 12 tips for painting wrinkles and grey hair including how to think about wrinkles in a different way. If you are intimidated about painting wrinkles,
When I got my iPad, painting a realistic digital portrait was the first thing I wanted to try. As a traditional oil painter, I don’t want my digital portraits to look like digital paintings. I wanted them to look like real oil paintings. In this article, I’ll show you how I do it.
Procreate was the first program I tried, but I didn’t get the results I wanted. After giving ArtRage a try, I found that painting a realistic digital portrait was much easier for me to achieve. It’s a program that just seemed to work for me. I know many artists that use Procreate and other painting programs with great success.
NOTE: If you don’t have a digital program to paint in, you can still follow along using whatever types of paint you have. The basics are still the same.
Digital painting – is real art or not? I’ve struggled with this question ever since I picked up a tablet and started painting digitally. Through the years, I’ve created art by making real, tangible pieces with paint on canvas that I can hold in my hands. Real art could only be made with real art supplies – not pixels, right?
After having done both traditional and digital painting, I think the answer is that as far as talent and creating a work of art in today’s world, digital painting is “real” art. If you are only measuring digital art based on it taking on a form that is handcrafted with a variety of materials, then no, it doesn’t qualify as “real” art. But is that second sentence true or is it just a perception? To find out, I’ll explore the definition of fine art, the biases in art, art-shaming and
One thing that I’ve learned in doing oil painting is there are a lot of terms such as alla prima that can be a little confusing. It was a term being thrown around by other painters I knew and I had no clue what it meant.
I have a clearer picture now but I thought I’d dive in a little deeper so I could answer any questions you may have.
First of all, the term alla prima is taken from the Italian phrase “at first attempt” and is a painting technique done in one layer in one sitting. The approach takes advantage of spontaneity and the artist must use their skill and intuition to match colors and value.
That seems simple enough, but there are a lot of other questions I had about this method of painting which I will share below.
A senior dog portrait painting has a few unique challenges. But these sweet older faces are so rewarding to paint for a variety of reasons.
When painting portraits of older people, you need to take into account how to paint wrinkles, grey hair and changing facial features. When you paint a senior dog portrait, having a plan for painting the white fur on their face as well as the changing skin on their nose can make your portrait a success.
Whether an artist should or shouldn’t sign their paintings seems to create a lot of confusion, especially for beginning artists. When do you sign it? Where do you sign it? Why should you sign it? These are all questions I’ll answer today.
Before getting into all the details, I’ll let you know a few basic things right now. An artist should always sign their paintings because it achieves 3 things:
It creates authenticity
Helps future collectors identify the work and
Gives the artist a sense of completion
Of course, there is much more to it than the list above. There is also how to sign, where to sign, what to sign and when to sign along
Ever since I picked up an iPad and started painting, my number one goal was to make my digital painting look like a traditional oil painting. I wasn’t convinced it was possible and, of course, I can still tell the difference. However, a lot of people that view my work can’t tell the difference between my digital and traditional paintings.
Yes, it is possible to make a digital painting look like a traditional oil painting. Use the same process that traditional painters and a program that gives a natural application of paint. This will give you a good result. Throughout the rest of this article, I will show you a practice painting I did using
It’s always exciting to start a painting, but there are a lot of simple painting hacks that can make the process much easier. Below you’ll find 15 helpful painting hacks that I’ve used and some that other artists have shared with me throughout the years.
Helpful Painting Hacks #1 – Paint Upside Down
I learned this amazing trick decades ago, but continue to use it nearly every time I paint. When you look at your painting for too long, something bizarre